{"id":"am-07.s-leave-navy-b.2","film":"airplane-mode","film_title":"AIRPLANE MODE","batch":"am-07","job":"s-leave-navy-b","n":2,"kind":"plate","prompt":"Fashion editorial, sunrise: an eye-level wide shot down the aisle of a widebody airliner cabin with navy leather seats and white walls, golden morning light, a Caucasian American woman in her late twenties with pale skin and a glossy black blunt bob with heavy straight bangs and one clay-orange streak, a thin black headset microphone, in a glossy international-orange satin jumpsuit with silver piping and a wide white belt, rolling an aluminium carry-on away, her empty window seat in the foreground with a small flat clay-orange disc-shaped spinning top on its open tray table, no text, no letters, no logos","params":"--ar 16:9 --v 8.2 --raw --hd","profile":true,"irefs":"","framing":"WS","framing_name":"Wide","her":true,"look":"flight-suit","look_name":"Flight suit","plate":false,"edited":false,"cut":false,"verdict":null,"w":2944,"h":1648,"alt":"Fashion editorial, sunrise: an eye-level wide shot down the aisle of a widebody airliner cabin with navy leather seats and white walls, golden morning light, a Caucasian American woman in her late twenties with pale…","batch_note":"Morning plates in the film's own navy-seat cabin: the leaving shot (C51 had come back in a cream private-jet cabin) and a morning overhead panel for the last chime.","url":{"s":"/img/am-07/s-leave-navy-b-2.s.webp","m":"/img/am-07/s-leave-navy-b-2.m.webp","full":"/img/am-07/s-leave-navy-b-2.full.jpg"},"page":"/i/am-07.s-leave-navy-b.2/"}