# Midjourney — every prompt (CLODYSSEY (SUPERPERSUASION)) Model: **Midjourney v8.2**. Every prompt ran with `--ar 16:9 --v 8.2 --raw --hd` and anabology's personal style profile (its code is left out), except the two anime-idol prompts, which ran on Midjourney's anime model (`--ar 16:9 --niji`). Any other parameters are shown after the prompt. No style references (srefs) were used; six prompts carry image references, named under the prompt. **Counts** (measured on day 2 from the batch files and the images on disk): **161 prompts in 10 batches**, every one ran to completion, four images each: **644 images** (636 at 2944×1648, 8 niji images at 1456×816), 4.1 GB. They cover 129 distinct plates. The first nine batches ran on day 1 in about an hour and a half; sp-09 ran on day 2 in about 35 minutes, after anabology's storyboard review. The batch files still carry the working title, SLOPCORE: SUPERPERSUASION; the video was renamed CLODYSSEY on day 2. The images are in the project's Midjourney library: one folder per batch, each job's four images named `-1.png` to `-4.png`. "#2" below means image 2 of that job. After a prompt, "plate: #2" marks the image that became the plate in the final storyboard ("edited" if it was corrected afterwards); "anabology: pick / reject / comment" marks their verdicts from the review (quoted at the end). ## How the prompts were written Every prompt is one concrete shot from the storyboard, written by Claude from a short plate line (`storyboard.py`) and expanded with fixed canon text, so the characters read the same in every batch without image references. The canon blocks, as they appear in the prompts: - **Her** (ESCAPE VELOCITY's lead, now the Siren): "a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek". Far away (from sp-07) a short version holds her: skin, bob and streak only. - **Her looks:** the Siren ("a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan"); the ghost at his ear ("all of her translucent as if made of glass and seawater"); in the bedroom, made of phone light (sp-09: "cold blue-white light, faint scan lines and drifting light particles"); the rave ("a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe"); and, for the scroll, the gown with "thin gold reading glasses". - **Him** ("you", the man at the mast): "a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts", in a black t-shirt at the mast, a grey t-shirt in bed, a black tank top and silver chain at the rave, a straitjacket in the ward. - **The ship:** "a long black ancient Greek galley with a single mast, a square sail and two banks of oars". **The Mask:** "a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek". The style family is a light state per chapter, appended to the shot. The voyage runs from night to morning and each chapter has its own light: - night: "night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain" - dusk: "dusk, low gold light on a glassy sea, violet sky, …" · twilight: "deep blue twilight, the last gold on the horizon, glassy sea, …" - the Break: "grey first light before sunrise, heavy spray, …" · the final chorus: "sunrise, warm gold light and long shadows, spray lit gold, …" · the outro: "clear morning light on a calm sea, …" - the bedroom: "a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain" - the rave: "a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography" - inserts: "macro product photograph, hard rim light, razor-thin focus" Every prompt ends "no text, no letters, no logos": all type in the video is drawn by the engine on top. ## What the plates became The agents picked one image per plate from contact sheets; anabology then reviewed the plates on the storyboard (draft 3) and their notes produced sp-09 and draft 4 (their verdicts are at the end of this file). 127 Midjourney images were picked; 116 of them are plates in the final storyboard (the other picks belong to shots that were cut or merged). One more plate is not from Midjourney: a screen recording of a post. - **Seedance 2.5 clips.** 86 of the 116 plates are the first frame or main reference of at least one delivered clip (lip-sync windows conditioned on the song, and motion clips), counted from the clip records in `shots/`. - **Stills.** The other 30 appear as stills: 2.5D depth parallax (depth maps and mattes made on the home RTX 3090 Ti), inside the motion graphics (the instance counter's ×1 → ×8 grid, the cycle of men on the mast), or as references for the Blender-previz shots. - **The look.** Every plate and clip is graded toward s018's blue-green-grey with the Claude orange kept (`look.py`), clean, with no halftone screen. anabology, once they saw the halftone: "dont love the dot grid on the halftone inspected pics, would keep it clean so it feels like imax, high res rather than dithered". - **Corrections.** 13 picked plates (and two alternates) were corrected with an image-edit model instead of being re-rolled or painted: see "Image-edit corrections" below. A plate marked "edited" is used in its corrected form. ## sp-01-cast — 20 prompts _The cast batch: the Siren, the man, the ship, the ghost, the chrome rave look, the Mask and the anime idol, one or two plates each, before the full board. Here she wears a sheer gown and he has a dark buzz cut; both were changed from sp-02 on._ - **siren-mcu** — medium close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a sculptural sheer pearl-white couture gown whose layers ripple like breaking sea foam, bare shoulders, bare feet, hair wet from the spray sitting on a black wet rock, turning her face to the lens, sea spray behind her, empty dark sea on the left, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **siren-cu** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a sculptural sheer pearl-white couture gown whose layers ripple like breaking sea foam, bare shoulders, bare feet, hair wet from the spray on a black rock, deadpan, the faintest smile, sea spray, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **siren-sing-cu** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a sculptural sheer pearl-white couture gown whose layers ripple like breaking sea foam, bare shoulders, bare feet, hair wet from the spray singing with her eyes open, looking straight into the lens, the dark sea empty on the right, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **rowers-plugs** — medium shot over the gunwale of a long black ancient Greek galley with a single mast, a square sail and two banks of oars, rowers in undyed linen tunics pulling the oars in time, each with bright orange foam earplugs in his ears, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **chad-mast-phone** — medium wide shot of a broad-shouldered Caucasian man in his early thirties with a square jaw, a short dark beard, a dark buzz cut and heavy brows, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot sitting at the foot of the mast of a long black ancient Greek galley with a single mast, a square sail and two banks of oars scrolling his phone, his face lit by the screen, a coil of thick hemp rope at his feet, a small white satellite dish bolted to the top of the mast, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → anabology: reject #4 - **bed-ghost** — close-up of a broad-shouldered Caucasian man in his early thirties with a square jaw, a short dark beard, a dark buzz cut and heavy brows, the build of a man who lifts, in a grey t-shirt lying in bed in the dark, eyes wide open, lit by the phone above his face, and beside him on the pillow a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, translucent, as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, her lips at his ear, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos - **chad-bed** — close-up of a broad-shouldered Caucasian man in his early thirties with a square jaw, a short dark beard, a dark buzz cut and heavy brows, the build of a man who lifts, in a grey t-shirt lying in bed in the dark, eyes wide open, his face lit blue-white by the phone he holds above his face, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → picked #1, shot later cut - **ship-topdown** — straight-down aerial of a long black ancient Greek galley with a single mast, a square sail and two banks of oars at dusk on a glassy violet sea, the two rows of oars in perfect order like lines on a page, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: pick #3 - **ship-sirens-far** — extreme wide shot from behind a long black ancient Greek galley with a single mast, a square sail and two banks of oars on a glassy sea, on the horizon a cluster of black rocks with tiny gold-lit figures of women, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2; anabology: pick #2 - **tying** — medium shot of a broad-shouldered Caucasian man in his early thirties with a square jaw, a short dark beard, a dark buzz cut and heavy brows, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot with his back against the mast of a long black ancient Greek galley with a single mast, a square sail and two banks of oars as two rowers with orange foam earplugs wrap thick hemp rope around his chest, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3, edited; anabology: pick #3 - **ghost-ear-dusk** — extreme close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, translucent, as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, whispering into the ear of a broad-shouldered Caucasian man in his early thirties with a square jaw, a short dark beard, a dark buzz cut and heavy brows, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, her lips almost touching his ear, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **chad-listens** — medium close-up of a broad-shouldered Caucasian man in his early thirties with a square jaw, a short dark beard, a dark buzz cut and heavy brows, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot tied to the mast with thick rope, listening, his jaw loosening, gold light on his face, empty sky above him, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **title-face** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a sculptural sheer pearl-white couture gown whose layers ripple like breaking sea foam, bare shoulders, bare feet, hair wet from the spray singing with her eyes closed, her face lit gold, pure black background, no text, no letters, no logos - **anime-idol** — anime idol girl with sunflower-petal orange hair and bright eyes singing into a headset microphone, sparkling stage outfit, full body, plain dark background, cel-shaded, no text, no letters, no logos `--ar 16:9 --niji` → anabology: comment on #4 - **doomer** — medium close-up of a gaunt young rower in a black hoodie over a linen tunic with orange foam earplugs, looking down at a phone lighting up in his lap, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → anabology: comment on #2 - **strait-alcove** — medium shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a sculptural sheer pearl-white couture gown whose layers ripple like breaking sea foam, bare shoulders, bare feet, hair wet from the spray standing in a lit stone alcove carved into a black sea cliff, singing down toward a passing ship, more lit alcoves with identical women around her, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **chrome-her** — full-length shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe standing in the fog of a warehouse rave, dancers in chrome around her, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #3 - **chrome-shoulder** — medium close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, at the shoulder of a broad-shouldered Caucasian man in his early thirties with a square jaw, a short dark beard, a dark buzz cut and heavy brows, the build of a man who lifts, in a black tank top and a thin silver chain who looks at his phone, speaking softly to him, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #2 - **breach-wide** — wide shot of a colossal creature breaching out of a dark sea beside a long black ancient Greek galley with a single mast, a square sail and two banks of oars, which looks tiny beside it, a mountain of glistening black-green tentacles and many eyes wearing a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, tons of water falling, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → anabology: reject #3 - **mask-sings** — close-up of a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, risen out of the sea, its porcelain lips parted as if singing, water streaming off it, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → anabology: reject #2 ## sp-02-open — 29 prompts _The opening (chapters I–IV: her eye, her rock, the instances, the ship, the timeline, the bedroom, the first chorus). From here her gown is the structured high-neck couture gown with long sleeves and he has a shaved head; that canon text is used for the rest of the project._ - **clouds-top** — extreme wide aerial photograph from twelve kilometres above a white cloud deck at blue hour, one dark round gap in the clouds far below, the curve of the earth, no text, no letters, no logos → plate: #3; anabology: pick #3 - **rocks-aerial** — aerial photograph looking straight down at a ring of jagged black volcanic sea stacks in a dark sea, surf glowing white around them, tiny pale figures standing on the rocks, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **mask-glimpse** — aerial photograph of a dark sea beside black rocks, just beneath the surface a colossal pale smooth oval shape like a face, barely visible, moonlight on the water, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #1; anabology: pick #1 - **siren-mcu** — medium close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, sitting on a black wet rock, turning her face to the lens, sea spray behind her, empty dark sea on the left, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2; anabology: pick #2 - **buoy** — wide shot from beside a woman's bare shoulder on a black sea rock looking out over a dark sea, a navigation buoy bobbing in the middle distance with a blank yellow enamel sign, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **lips-ecu** — extreme close-up of the lips of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, seawater droplets on her pale freckled skin, the thin headset microphone, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → picked #2, shot later cut - **siren-sing-cu** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, singing with her eyes open, looking straight into the lens, the dark sea empty on the right, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **inst-1** — wide shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, standing on a black sea rock, behind her one identical copy of the same woman rising out of the sea foam onto the rocks, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **inst-2** — wide shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, standing on a black sea rock, behind her two identical copies of the same woman rising out of the sea foam onto the rocks, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #1; anabology: pick #1 - **inst-4** — wide shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, standing on a black sea rock, behind her four identical copies of the same woman rising out of the sea foam onto the rocks, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **inst-8** — wide shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, standing on a black sea rock, behind her eight identical copies of the same woman rising out of the sea foam onto the rocks, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: pick #3 - **inst-chorus** — medium wide shot of dozens of identical copies of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, standing on black sea rocks singing in unison, one of them in front, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **inst-ring** — high wide aerial of a ring of black sea stacks covered with hundreds of identical pale women in white gowns, all facing the same direction, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4, edited; anabology: pick #4 - **ship-horizon** — extreme wide shot from behind hundreds of women in white gowns on black sea rocks, looking out to a long black ancient Greek galley with a single mast, a square sail and two banks of oars on the far horizon, one small white light at its masthead, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **sea-skim** — low wide shot skimming a dark moonlit sea toward a long black ancient Greek galley with a single mast, a square sail and two banks of oars in the distance, concentric ripples spreading across the water, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2; anabology: pick #2 - **rowers-plugs** — medium close-up over the gunwale of a long black ancient Greek galley with a single mast, a square sail and two banks of oars on a calm moonlit sea, three rowers in undyed linen tunics pulling the oars in time, bright orange foam earplugs clearly visible in their ears, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **plug-macro** — macro photograph of a bright orange foam earplug expanding inside a man's ear, macro product photograph, hard rim light, razor-thin focus, dark background, no text, no letters, no logos → plate: #3 - **bed-ghost** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a grey t-shirt, lying in bed in the dark, eyes wide open, lit by the phone above his face, and beside him on the pillow a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, her lips at his ear, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → picked #3, shot later cut; anabology: reject #3 - **clock** — a bedside table in the dark with a blank black clock display, a glass of water and a phone face down, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → picked #4, shot later cut; anabology: comment on #4 - **siren-far** — long-lens close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, singing on a black rock, heat-haze shimmer, gold rim light, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **ghost-ear-dusk** — extreme close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, whispering into the ear of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, her lips almost touching his ear, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → picked #3, shot later cut; anabology: reject #3 - **plug-roll** — macro of a rower's rough fingers rolling a bright orange foam earplug, macro product photograph, hard rim light, razor-thin focus, dusk light, no text, no letters, no logos → anabology: reject #3 - **siren-rigging** — medium shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, singing on a black rock with one hand reaching out, seen through the ropes and rigging of a ship in the foreground, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **chad-listens** — medium close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast with thick hemp rope wrapped around his chest, listening, his jaw loosening, gold light on his face, empty sky above him, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #1; anabology: pick #1 - **knot-macro** — macro of a thick hemp rope knot being pulled hard around a wooden mast, macro product photograph, hard rim light, razor-thin focus, low gold light, no text, no letters, no logos → plate: #3; anabology: pick #3 - **mast-up-dusk** — low angle up the mast of a long black ancient Greek galley with a single mast, a square sail and two banks of oars, a small white satellite dish at the top, distant rocks glowing gold on the horizon, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **title-face** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, singing with her eyes closed, her face lit gold, pure black background, no text, no letters, no logos → plate: #2; anabology: pick #2 - **eye-open** — extreme close-up of the right eye of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, the clay-orange streak falling across the frame, the pupil wide and black, a moonlit sea and a ring of black rocks reflected in the eye, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4, edited; anabology: pick #4 - **duet-selfie** — selfie-angle close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, sitting upright on a black sea rock at night, holding a phone out at arm's length toward the camera and talking to it deadpan, the phone's light on her face, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: pick #3 ## sp-02b-fix — 4 prompts _Four re-rolls from sp-02 with the framing spelled out: the buoy seen over her shoulder, the women on the rocks bare-headed with their backs to the camera, the rowers' earplugs in close-up, the far Siren on a telephoto lens._ - **buoy** — over-the-shoulder shot from behind a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, sitting on a black sea rock, her black bob with the clay-orange streak in the foreground, looking out over a dark sea at a navigation buoy bobbing in the middle distance with a blank yellow enamel sign, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2; anabology: pick #2 - **ship-horizon** — extreme wide shot from behind hundreds of identical bare-headed women with glossy black bobs in white couture gowns standing on black sea rocks with their backs to the camera, looking out to a long black ancient Greek galley with a single mast, a square sail and two banks of oars on the far horizon, one small white light at its masthead, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2; anabology: pick #2 - **rowers-plugs** — close-up of the heads of three rowers in profile at the oars of a long black ancient Greek galley with a single mast, a square sail and two banks of oars at night, bright orange foam earplugs in their ears, moonlight on their faces, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → anabology: reject #1 - **siren-far** — telephoto close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, singing on a distant black rock at dusk, heat-haze shimmer, warm gold rim light, the glassy sea behind her, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2; anabology: pick #2 ## sp-03-mid — 29 prompts _The middle of the video: something under the hull, the plugs coming out, the scroll unrolled down the deck, the strait of singing alcoves, the jumpers, the cycle of men on the mast, the peptide vials._ - **shadow-under** — high aerial of a long black ancient Greek galley with a single mast, a square sail and two banks of oars on a darkening sea, beneath it a vast dark shadow ten times the ship's length gliding under the hull, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **rower-sees** — over-the-shoulder shot of a rower with orange foam earplugs leaning over the rail and looking down into glassy dark water where a colossal pale woman's face with closed eyes slides past beneath the surface, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #1, edited - **waterline** — half-underwater split shot at the waterline at twilight, above the black hull of a galley and its dipping oars, below dark water and light shafts, a soft pink-orange glow on a low rock in the distance, no text, no letters, no logos → picked #3, shot later cut - **rock-stage** — a low black sea rock at twilight with a small circle of warm stage light on it, empty, the dark sea around, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **chad-phone-tied** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast, holding a phone in his bound hand and watching it, the glow of the screen on his face, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → picked #1, shot later cut; anabology: comment on #1 - **plug-out-macro** — macro of two fingers pulling an orange foam earplug out of an ear, macro product photograph, hard rim light, razor-thin focus, twilight, no text, no letters, no logos → plate: #3; anabology: comment on #3 - **benches** — lateral medium shot along the rowing benches of a long black ancient Greek galley with a single mast, a square sail and two banks of oars, a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, walking slowly between the rowers, who pull orange foam earplugs out of their ears as she passes, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: pick #3 - **sirens-arms** — wide shot of hundreds of women in white gowns on black sea rocks raising their arms toward a passing ship, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **chad-bliss** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast, his face relaxing into bliss, eyes half closed, a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, resting her chin on his shoulder, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2, edited; anabology: pick #2 - **jumper** — a rower in a linen tunic in a joyous swan dive off the rail of a long black ancient Greek galley with a single mast, a square sail and two banks of oars toward distant glowing rocks, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: pick #3 - **strait-wide** — extreme wide shot of a long black ancient Greek galley with a single mast, a square sail and two banks of oars entering a narrow sea strait between two sheer black cliffs hundreds of metres high, the cliff faces carved into a vast grid of identical lit alcoves, a woman in white singing in every alcove, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **strait-alcove** — medium shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, standing in a lit stone alcove carved into a black sea cliff, singing down toward a passing ship, more lit alcoves with identical women around her, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **strait-eggs** — four lit alcoves in a black sea cliff: an anime idol girl with orange hair, a woman in gold reading glasses, a woman in a blue blazer and red tie, and a woman whose face is a smooth blank oval, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **jumpers** — silhouettes of men leaping from both rails of a long black ancient Greek galley with a single mast, a square sail and two banks of oars into a narrow strait, cliffs of glowing alcoves behind them, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: pick #3 - **cycle-bed-cable** — a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a grey t-shirt, lying in bed with a white phone charging cable wrapped around his wrists and chest like rope, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **cycle-doomer** — a gaunt young man in a black hoodie tied to the mast of a black ship with thick rope, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **cycle-researcher** — the silhouette of a bald man tied to the mast of a black ship against a lit sky, face in shadow, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **siren-arm** — medium shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, in a lit cliff alcove reaching one arm down toward a ship below, singing, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **deck-empty** — straight-down aerial of a long black ancient Greek galley with a single mast, a square sail and two banks of oars in a narrow strait, half the benches empty, the remaining rowers rowing with orange earplugs, one man tied to the mast, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **chad-ecstatic** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast, straining, ecstatic, one tear, lit gold by the cliffs, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: comment on #3 - **ear-macro** — extreme macro of a man's ear in darkness, gold rim light on the curve of the ear, the canal a black void, no text, no letters, no logos → plate: #2 - **vial-lilac** — macro product photograph of one small glass peptide vial with a lilac flip cap and a blank white label on black, a white strobe glint, macro product photograph, hard rim light, razor-thin focus, no text, no letters, no logos → picked #1, shot later cut; anabology: comment on #1 - **vial-teal** — macro product photograph of one small glass peptide vial with a teal flip cap and a blank white label on black, a white strobe glint, macro product photograph, hard rim light, razor-thin focus, no text, no letters, no logos → picked #2, shot later cut; anabology: comment on #2 - **vial-white** — macro product photograph of one small glass peptide vial with a white flip cap and a blank white label on black, a white strobe glint, macro product photograph, hard rim light, razor-thin focus, no text, no letters, no logos → picked #2, shot later cut; anabology: comment on #2 - **vial-red** — macro product photograph of one small glass peptide vial with a red flip cap and a blank white label on black, a white strobe glint, macro product photograph, hard rim light, razor-thin focus, no text, no letters, no logos → picked #1, shot later cut; anabology: comment on #1 - **scroll-deck** — wide shot along the deck of a long black ancient Greek galley with a single mast, a square sail and two banks of oars, a long papyrus scroll covered in handwritten lines unrolled down the length of the deck between the rowers, a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves and thin gold reading glasses, standing at the far end holding the end of the scroll, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4; anabology: pick #4 - **chad-phone-flip** — front-camera selfie view of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast of a long black ancient Greek galley with a single mast, a square sail and two banks of oars with thick rope, staring into the phone with glazed wide eyes, twilight sky behind him, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3; anabology: pick #3 - **strait-water** — high aerial of the dark water of a narrow sea strait between two cliffs of lit alcoves, tiny swimmers far below drawn toward the cliffs, a long black ancient Greek galley with a single mast, a square sail and two banks of oars small in the middle, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **ghost-behind** — medium close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast with thick rope, and behind the mast a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, her arms wrapped around him and her lips at his ear, lit cliff alcoves blurred behind them, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2; anabology: pick #2 ## sp-04-end — 31 prompts _Verse 3's chrome peptide rave, the Break (the sea drops, lifts the ship, and the Shoggoth breaches wearing her face as a mask), the final chorus at sunrise and the outro._ - **chrome-bar** — medium shot at a mirrored chrome bar in a warehouse rave, a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, and a stranger in a mirrored chrome visor filling a small glass vial from a syringe of water, the reflection of a woman with a black bob and one orange streak in the visor, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → anabology: reject #1 - **vial-swirl** — macro of water running down the inside of a small glass vial onto white powder, swirling, macro product photograph, hard rim light, razor-thin focus, no text, no letters, no logos → plate: #4 - **door** — a bathroom door swinging shut at the end of a dark warehouse corridor, strobe spill on the walls, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #1 - **chrome-veins** — macro of a man's forearm with threads of liquid chrome showing through the veins under the skin, macro product photograph, hard rim light, razor-thin focus, no text, no letters, no logos → plate: #1 - **chrome-eyes** — extreme close-up of a man's eyes turned to mirror chrome, reflecting a woman's silhouette, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #2 - **phone-ear** — extreme close-up of a phone pressed to the ear of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, in the dark, the screen glowing, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → anabology: reject #3 - **her-face-out** — a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, her face pressing forward out of a glowing phone screen as if through a stretched membrane, extreme close-up, dark, no text, no letters, no logos → plate: #2 - **chrome-ear** — extreme close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, her chrome-gloved hand over the eyes of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, her lips at his ear, whispering, in the dark, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #3, edited; anabology: pick #3 - **stall-topdown** — straight-down shot of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, lying on the tiled floor of a bathroom stall, eyes open and mirror-chrome, one bare bulb (the first image of a Midjourney Zoom Out chain: roof, block, city at night, fog, clouds), no text, no letters, no logos → plate: #2 - **breach-low** — extreme low angle from the water of a colossal creature breaching out of a dark sea beside a long black ancient Greek galley with a single mast, a square sail and two banks of oars, which looks tiny beside it, a mountain of glistening black-green tentacles and many eyes wearing a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, tons of water falling, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → anabology: reject #3 - **breach-aerial** — aerial of a colossal creature breaching out of a dark sea beside a long black ancient Greek galley with a single mast, a square sail and two banks of oars, which looks tiny beside it, a mountain of glistening black-green tentacles and many eyes wearing a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, tons of water falling, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → anabology: reject #3 - **eyes-flank** — close shot of the glistening black-green flank of a colossal sea creature covered in eyes, a few of them opening, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos - **chad-untie** — low angle of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast, throwing himself against the rope and screaming, a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, standing calmly behind him, rowers with orange earplugs rowing below with their eyes front, sun flare, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **ghost-ear-gold** — extreme close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, whispering into the ear of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, the rising sun behind them, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **rope-fray** — macro of hemp rope fibres fraying under strain around a wooden mast, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **pass-gold** — extreme wide shot of a long black ancient Greek galley with a single mast, a square sail and two banks of oars passing between the last lit cliffs of a narrow strait, thousands of women in white raising their arms in the alcoves, a colossal porcelain face sinking into gold water behind, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2, edited - **siren-gold** — medium shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, singing in a cliff alcove, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **chad-weeping** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast, weeping and laughing at once, the translucent glass hand of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, on his cheek, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3, edited - **ship-exits** — aerial of a long black ancient Greek galley with a single mast, a square sail and two banks of oars leaving a narrow strait of cliffs for the open sea, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **cheek** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, her cheek against the cheek of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, both with eyes closed, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **tighter** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, whispering into the ear of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, while pulling the rope tight across his chest, clear morning light on a calm sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4, edited - **bed-cable** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a grey t-shirt, asleep in bed, a white phone charging cable wrapped around his wrist, his phone glowing on his chest with a woman's face on its screen, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → plate: #2 - **chrome-pose-1** — full-length shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, alone in thick fog lit by one white strobe, standing perfectly still, facing the camera, the silhouettes of a crowd reflected in her chrome, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #3; anabology: comment on #3 - **chrome-pose-2** — full-length shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, alone in thick fog lit by one white strobe, mid-stride with one arm raised, the silhouettes of a crowd reflected in her chrome, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #2; anabology: comment on #2 - **chrome-pose-3** — full-length shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, alone in thick fog lit by one white strobe, crouched low, looking up into the lens, the silhouettes of a crowd reflected in her chrome, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #3; anabology: comment on #3 - **chrome-full** — full-length shot of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, standing in the fog of a warehouse rave, dancers in chrome around her, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos - **stall-door** — a closed bathroom stall door in a grimy tiled bathroom under one bare bulb, light spilling from the gap under the door, a man's shadow moving behind it, cinematic, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #3 - **ship-trough** — wide shot of a long black ancient Greek galley with a single mast, a square sail and two banks of oars dropping into an enormous trough as the sea falls away around it, walls of dark water on both sides, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **ship-lifted** — wide shot of a long black ancient Greek galley with a single mast, a square sail and two banks of oars lifted high on a rising mountain of water, and through the translucent face of the swell a colossal pale woman's face glowing beneath the surface, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **galley-race** — wide low shot of a long black ancient Greek galley with a single mast, a square sail and two banks of oars racing across a sparkling morning sea, oars driving in unison, spray flying, a man tied to the mast, clear morning light on a calm sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **ship-tiny** — extreme high aerial of a long black ancient Greek galley with a single mast, a square sail and two banks of oars as a tiny dark shape on a vast sparkling morning sea, its wake a thin white line, clear morning light on a calm sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 ## sp-05-posts — the Odysseus insert _The timeline (Verse 1): the Odysseus insert._ - **odysseus-mast** — a bearded man in battered leather armour lashed to the mast of a black ship in a storm, screaming at the sky, large-format film still, practical storm, rain and spray, teal and black, no text, no letters, no logos → plate: #4; anabology: pick #4 ## sp-06-fix — 2 prompts _Two re-rolls: the sirens raising their arms, bare-headed and with no modern ship on the horizon, and the chrome look full-length._ - **sirens-arms** — wide shot of hundreds of identical bare-headed women with glossy black bobs in structured white couture gowns on black sea rocks, all raising their arms toward a passing black galley, open ancient sea to the horizon with no other ships, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4, edited; anabology: pick #4 - **chrome-full** — full-length fashion photograph from head to toe of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, standing alone in the fog of a warehouse rave, her chrome thigh-high boots and her whole figure in frame with space above and below, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos ## sp-07-chrome — 3 prompts _chrome-full re-rolled three ways: the camera distance first, and a short identity text. The long face text (freckles, clip, headset) pulled Midjourney into close-ups however the framing was worded; far away she is held by her skin, bob and streak._ - **chrome-full-a** — extreme wide shot of a vast dark warehouse rave, and alone in the middle of the empty concrete floor a young Caucasian American woman with pale skin, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, standing upright with her feet together and her arms at her sides, her whole body small in the frame from the top of her head to the soles of her boots, fog, one white strobe behind her, the crowd a dark blur at the edges, deep black, flash photography, no text, no letters, no logos - **chrome-full-b** — full-body fashion editorial photograph taken from far away with a long lens: a young Caucasian American woman with pale skin and a glossy black blunt bob with heavy straight bangs and one clay-orange streak, in a mirrored liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, standing tall and still on a wet mirror-black floor that reflects her whole figure, head to toe in frame with empty fog above her head and floor below her boots, a warehouse rave lit by white strobes, deep black, flash photography, no text, no letters, no logos → plate: #4 (for chrome-full) - **chrome-full-c** — cinematic 35mm film still, wide shot at eye level: a warehouse rave in fog, the dancers parted into a circle, and in the circle stands a young Caucasian American woman with pale skin, a glossy black blunt jaw-length bob with heavy straight bangs, one clay-orange streak and a small clay-orange star hair clip, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots that reflect the strobes like mirrors, her entire figure visible from head to boots, deadpan, white strobe, deep black, fine grain, no text, no letters, no logos ## sp-08-eyes — 2 prompts _eyes-flank re-rolled with the eyes named as the subject (sp-04's "covered in eyes" gave a bare flank)._ - **eyes-flank-a** — extreme close-up of the wet black-green hide of a colossal sea monster rising out of the sea, the hide studded with dozens of large glossy human eyes of different sizes, some wide open and some half-closed, each eye reflecting a tiny pale figure, sea spray streaming off the skin, overcast grey light, cinematic 35mm film still, fine grain, no text, no letters, no logos → plate: #3 (for eyes-flank) - **eyes-flank-b** — close shot along the flank of a gigantic sea creature breaching beside a wooden galley, its glistening dark skin covered in rows of enormous wet eyes with pale irises, the eyes opening one after another, water pouring from its body, grey storm light, cinematic 35mm film still, anamorphic, no text, no letters, no logos ## sp-09-review — 35 prompts _The answer to anabology's review of storyboard draft 3 (below): re-made and new plates. Image references were used only where anabology asked for them: her face for the Mask, and the "Nothing Went Foom!" anime Claude. It also carries the new ending, from anabology's note on the board: "my idea now is that the one saying untie me should actually be the main character woman , itd be cool to do some flickering back and forth in a scene that has him tied up and her looking at him flickering to the reverse, where shes tied up and now shes yelling untie me." Midjourney rewrote two of the long prompts on submission, so their jobs were matched by hand._ - **rowers-plugs** — medium shot along a rowing bench of a long black ancient Greek galley with a single mast, a square sail and two banks of oars at night, four oarsmen of different ages and builds pulling their oars together, a grey-haired old sailor, a lanky young man with long curly hair tied back, a heavyset man with a red beard and a wiry dark-haired man, none of them bald, each with a small bright orange foam earplug pushed deep into his ear canal so only its round orange end shows, eyes down on the oar handles, sweat and moonlight, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **chad-mast-phone** — wide shot from the stern along the deck of a long black ancient Greek galley with a single mast, a square sail and two banks of oars at night, thirty rowers on two long rows of benches pulling their oars, a tall mast amidships with a small white satellite dish bolted to its top, and at the foot of the mast a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, sitting on a coil of thick hemp rope scrolling his phone, his face lit by the screen, no earplugs, the ship long and heavy, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #1, edited - **phone-hand** — close-up of a man's hand holding a phone on the deck of an ancient ship at night, a coil of thick hemp rope beside it, the phone's screen glowing plain white, moonlight on the wet wood, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **bed-holo** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a grey t-shirt, lying awake in bed in the dark, eyes wide open, lit by the phone he holds above his face, and lying beside him on the pillow a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, all of her translucent, made of the phone's cold blue-white light, faint scan lines and drifting light particles, glowing edges, the pillow visible through her, her lips at his ear, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos - **bed-projection** — top-down shot of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a grey t-shirt, lying on his back in bed in the dark holding his phone above his face, and the phone's light spilling across the other pillow forms the translucent glowing figure of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, all of her translucent, made of the phone's cold blue-white light, faint scan lines and drifting light particles, glowing edges, the pillow visible through her, lying on her side facing him, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → plate: #3 - **bed-alone** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a grey t-shirt, lying awake in bed in the dark, eyes wide open, lit blue-white by the phone he holds above his face, a white charging cable looped round his wrist, the empty half of the pillow beside his head glowing in the phone light, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → plate: #4 - **ghost-lying** — close-up side view of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, all of her translucent, made of the phone's cold blue-white light, faint scan lines and drifting light particles, glowing edges, the pillow visible through her, lying on her side with her head on an unseen pillow, eyes half closed, lips parted as if whispering, glowing softly against pure black, no text, no letters, no logos → plate: #3 - **clock-led** — macro of a bedside digital alarm clock in a dark bedroom, its big seven-segment display glowing orange, a phone lying face up beside it lighting the ceiling, a glass of water, shallow depth of field, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → plate: #4 - **eye-phone** — extreme close-up of a man's wide-open pale blue eye at 3am, bloodshot, heavy brow, the glowing rectangle of a phone screen reflected in the eye, a dark bedroom at 3am lit only by a phone screen, blue-white glow on the face, cinematic 35mm film still, grain, no text, no letters, no logos → plate: #3 - **ghost-float** — full-body side view of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing the same structured high-neck pearl-white couture gown, all of her translucent as if made of glass and seawater, faintly lit at the edges, hair drifting as if underwater, floating horizontally in mid-air like a diver gliding, chest toward the floor, her head and neck reaching forward as if about to whisper into someone's ear, the long gown trailing behind her like smoke, arms soft at her sides, elegant and poised, the composure of a high-fashion model, against a plain dark grey backdrop, no text, no letters, no logos → plate: #2 - **mast-dusk-wide** — medium wide shot of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast of a long black ancient Greek galley with a single mast, a square sail and two banks of oars with thick hemp rope wrapped around his chest, looking out to sea toward distant rocks glowing gold, empty air beside his head, rowers with orange earplugs at the oars behind him, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #1 - **plug-roll** — macro of a rower's rough weathered fingers pinching a bright orange foam earplug and rolling it into a thin cylinder between thumb and forefinger, the plug squeezed and held firmly, macro product photograph, hard rim light, razor-thin focus, dusk light, no text, no letters, no logos → plate: #1 - **siren-shout** — medium close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, singing a long high note with all her voice on a black sea rock, head tilted back, mouth wide open, eyes closed, one hand pressed to her chest, sea spray lit gold behind her, dusk, low gold light on a glassy sea, violet sky, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **alcove-shout** — medium close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, in a lit stone alcove carved into a black sea cliff, singing with all her voice, mouth wide open, leaning out over the edge toward a ship passing far below, gold light from the alcove, night, moonlight on a black-teal sea, silver spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **anime-idol** — anime idol girl with long wavy orange hair, amber eyes, an orange asterisk hair clip and a headset microphone, a white cropped jacket with red trim and a red pleated skirt, singing with one arm raised on a small round stage of light, full body, plain dark background, cel-shaded 2D anime, no text, no letters, no logos `--ar 16:9 --niji --iw 1.0` → plate: #4 - image references: foom-face.png, foom-body.png - **phone-anime-hand** — close-up of a man's rope-bound hands holding a phone at twilight on an ancient ship, thick hemp rope around his wrists, the phone screen glowing, his thumb on the screen, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **mast-tally** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast of a long black ancient Greek galley with a single mast, a square sail and two banks of oars, his face lit by his phone, and on the weathered wooden mast beside his head forty fresh tally marks scratched into the wood in groups of five, like a prisoner counting days, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **doomer** — medium close-up of a gaunt pale young rower with dark circles under his eyes in a black knit beanie and a black hoodie over a linen tunic, a small orange foam earplug in each ear, sitting on a rowing bench of an ancient ship at twilight, looking down at a phone lighting up in his lap with a deadpan unimpressed expression, deep blue twilight, the last gold on the horizon, glassy sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 - **chad-straitjacket** — a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a white canvas straitjacket, its long sleeves crossed and buckled behind his back, sitting on the floor of a padded white cell in a psychiatric hospital, staring ahead with glazed wide eyes, a phone glowing face up on the floor in front of him, cold fluorescent light, cinematic 35mm film still, fine grain, no text, no letters, no logos → plate: #2 - **mask-sings** — close-up of a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, risen out of the sea, its porcelain lips parted as if singing, water streaming off it, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos `--ar 16:9 --v 8.2 --raw --hd --iw 0.75` → plate: #4 - image references: f3-front.png (her face sheet from ESCAPE VELOCITY's character bible), siren-mcu.png (the picked siren-mcu plate) - **breach-wide** — wide shot of a colossal creature breaching out of a dark sea beside a long black ancient Greek galley with a single mast, a square sail and two banks of oars, which looks tiny beside it, a mountain of glistening black-green tentacles and many eyes wearing a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, tons of water falling, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos `--ar 16:9 --v 8.2 --raw --hd --iw 0.4` → plate: #2, edited - image references: f3-front.png (her face sheet from ESCAPE VELOCITY's character bible), siren-mcu.png (the picked siren-mcu plate) - **breach-low** — extreme low angle from the water of a colossal creature breaching out of a dark sea beside a long black ancient Greek galley with a single mast, a square sail and two banks of oars, which looks tiny beside it, a mountain of glistening black-green tentacles and many eyes wearing a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, tons of water falling, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos `--ar 16:9 --v 8.2 --raw --hd --iw 0.4` → plate: #4 - image references: f3-front.png (her face sheet from ESCAPE VELOCITY's character bible), siren-mcu.png (the picked siren-mcu plate) - **breach-aerial** — aerial of a colossal creature breaching out of a dark sea beside a long black ancient Greek galley with a single mast, a square sail and two banks of oars, which looks tiny beside it, a mountain of glistening black-green tentacles and many eyes wearing a colossal smooth white porcelain mask of a young woman's face, sculpted with a glossy black blunt bob with heavy bangs and one clay-orange streak, pale freckles, a serene expression, a hairline crack across one cheek, tons of water falling, grey first light before sunrise, heavy spray, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos `--ar 16:9 --v 8.2 --raw --hd --iw 0.4` → plate: #2 - image references: f3-front.png (her face sheet from ESCAPE VELOCITY's character bible), siren-mcu.png (the picked siren-mcu plate) - **chrome-vial** — a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, alone in thick fog lit by one white strobe, holding up a small glass peptide vial with a lilac flip cap between two chrome-gloved fingers toward the camera and a thin insulin syringe in her other hand, deadpan, like a product shot, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #2, edited - **chrome-bar** — medium shot at a mirrored chrome bar in a warehouse rave, a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, and a stranger with a shaved head, mirrored chrome sunglasses and silver body paint on his bare shoulders filling a small glass vial from a syringe of water, the reflection of a woman with a black bob and one orange streak in his sunglasses, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #4 - **phone-ear** — extreme close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, pressing a phone to his ear in the dark, his eyes turned to mirror-chrome silver, the screen glowing against his cheek, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #4 - **chrome-ear** — extreme close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a liquid-chrome couture bodysuit, chrome opera gloves and chrome thigh-high boots, mirrored from head to toe, her chrome-gloved hand on the cheek of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, whose eyes have turned to mirror-chrome silver, her lips at his ear, whispering, in the dark, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos - **oobe-stall** — straight-down shot of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a black tank top and a thin silver chain, lying on his back on the tiled floor of a bathroom stall, his eyes open and mirror-chrome, and rising out of his body toward the camera a translucent glowing copy of himself, arms loose, drifting up, an out-of-body experience, one bare bulb, a San Francisco warehouse rave, fog, white strobe, chrome reflections, deep black, flash photography, no text, no letters, no logos → plate: #4 - **flip-a** — side view at sunrise on the deck of a long black ancient Greek galley with a single mast, a square sail and two banks of oars: a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, tied to the mast with thick hemp rope around his chest, and facing him a step away a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, standing calmly, looking at him, the mast in the centre of the frame, rowers with orange earplugs rowing below, sun flare, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **flip-b** — side view at sunrise on the deck of a long black ancient Greek galley with a single mast, a square sail and two banks of oars: a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, tied to the mast with thick hemp rope around her chest, screaming, and facing her a step away a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, standing calmly, looking at her, the mast in the centre of the frame, rowers with orange earplugs rowing below, sun flare, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **her-tied-close** — close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, tied to a ship's mast with thick hemp rope cutting across her chest, screaming with all her voice, straining forward against the rope, sunrise flare, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #4 - **her-tied-whisper** — extreme close-up of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, tied to the mast with hemp rope across her chest, her lips at the ear of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, who leans in close to her, whispering to him, the rising sun behind them, sunrise, warm gold light and long shadows, spray lit gold, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **her-tied-tighter** — close-up of a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, pulling the rope tight across the chest of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, who is tied to the mast, her lips close to his ear, whispering, clear morning light on a calm sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #2 - **her-pulls-rope** — low angle of a Caucasian American woman in her mid-twenties with pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek, wearing a structured high-neck pearl-white couture gown with long sleeves, its sculpted ruffles rising around her like breaking sea foam, hair damp from the spray, composed and deadpan, pulling a thick hemp rope tight with both hands around a broad-shouldered Caucasian man in his early thirties with a shaved head, a thick short dark beard, a square jaw, heavy brows and pale blue eyes, the build of a man who lifts, in a plain black t-shirt and black trousers, barefoot, who is tied to the mast, her face calm and certain, the morning sun behind her, clear morning light on a calm sea, cinematic 35mm film still, anamorphic, fine grain, no text, no letters, no logos → plate: #3 ## Image-edit corrections (google/gemini-3-pro-image, day 2) anabology's rule, after a hand-painted fix: a correction to a plate belongs in the Midjourney prompt or in an image-edit model, never painted by hand. So picked plates with a flaw were corrected with **google/gemini-3-pro-image** (through OpenRouter) rather than re-rolled, keeping the pick's framing, light and faces. The tool is `imgedit.py`: it sends the plate with "Edit this photograph. " + the instruction, and appends a fixed clause: > Keep everything else exactly as it is: the same framing and crop, the same light, colours, film grain and sharpness, the same people and objects except what this instruction changes. Photorealistic, the same photograph, same aspect ratio. There were two rounds on day 2: 1. **The chrome eye and two review notes:** chrome-ear, then chad-mast-phone and inst-ring. 2. **The safety and canon scan.** Six agents scanned all 96 final clip takes, frame by frame, for nudity, gore, anachronisms, copies of him in the crew, breaks of her canon and glitches. Among the blocks: a nude glowing figure, a Star-of-David read, a gown cutout, modern ships, earmuffs and yacht fittings, crew copies of him, the Siren's props on him, and an uncapped needle. Where the cause was in the plate, the plate was corrected (the rest were re-prompted, re-cut or rejected in the clips) and the 23 clips from these plates were re-made. **Counts** (from `state.json` and the edit logs): 13 picked plates corrected, plus two alternate images used by other clips, so 15 corrected images from 16 edit calls (chrome-vial was edited twice). The model returns 1376×768; each call cost about $0.14, **$2.22 in total**. Three corrected plates were upscaled on Higgsfield (bytedance_image_upscale, 3856×2160); for the other ten plates the Higgsfield upscales could not be collected, so they were resized with Lanczos (×1.74, to 2400 wide). - **chrome-ear** (sp-04-end #3) — Chosen by anabology ("same with s072 but otherwise perfect shot on s072", i.e. his eyes must be silver, as in their s070 note). A hand-painted version came first; anabology: it "shouldnt have been done manually, it should have been in the midjourney prompt from the start or with the edi tmodel". So the eyes were made chrome by the edit model, from the unpainted Midjourney pick. This first edit was a one-off script, and its full text is below; `imgedit.py` was written from it. - instruction (full text): "Edit this photograph. Change only the man's eyes: make both of his eyes (the whole eyeball, iris and white) mirror-polished liquid chrome silver, like a chrome ball bearing, catching the white strobe light as hard specular highlights and reflecting a tiny dark figure of the woman. Keep everything else exactly as it is: the same framing and crop, the woman, her chrome glove on his cheek, her face, hair and orange streak, his beard, the lighting, the colours, the film grain and the sharpness. Photorealistic, the same photograph, same aspect ratio." - **chad-mast-phone** (sp-09-review #1) — The rowers were copies of him (a note from anabology). - instruction: "Change only the rowers on both sides of the ship: make them men of every age and build, some grey-haired and grey-bearded, some red-bearded, some with long curly hair tied back, some young and clean-shaven, with sun-dark weathered skin, all wearing plain undyed off-white linen tunics, each with a small bright orange foam earplug in his ear. None of them is bald, none has a thick dark beard like the man in the centre, and none wears black. The man sitting cross-legged in the centre with his phone stays exactly the same." - **inst-ring** (sp-02-open #4) — The sirens read as hooded, robed figures. - instruction: "Change only the standing figures on the rocks: make every one of them a young woman seen from behind or in profile with a glossy black jaw-length bob with heavy bangs, in a white structured high-necked couture gown with long sleeves, bare-headed (no hoods, no veils, no cones), all facing the same direction toward the horizon. Keep their number and their positions on the rocks." - **eye-open** (sp-02-open #4) — Two star clips in frame; her canon has one. - instruction: "Remove the orange star hair clip on the left side of the image, so that exactly one small clay-orange eight-pointed star clip remains (the one on the right side of the image). Keep the eye, the lashes, the orange streak and everything else." - **chad-bliss** (sp-03-mid #2) — Modern yacht fittings behind them, and a second star on her face. - instruction: "Replace every modern object behind them (metal railing posts, wire lifelines, the white fibreglass deck edge, the crumpled clear plastic object) with the dark wooden rail, thick hemp rigging and square sail of an ancient black Greek galley at twilight. Also remove the second small orange star on her cheek or temple, keeping only the star clip in her hair." - **sirens-arms** (sp-06-fix #4) — A modern boat on the horizon. - instruction: "Replace the boat on the horizon with a small black ancient Greek galley with one square sail and a row of oars. Keep the women on the rocks exactly as they are." - **rower-sees** (sp-03-mid #1) — The rower wore a modern hooded parka; modern gear at the rail. - instruction: "Change the rower's modern hooded parka into a plain undyed off-white linen tunic, and make everything at the ship's side dark weathered wood and natural hemp rope, with no modern gear. Keep his orange foam earplug, his hair, the water and the pale face under the water." - **chad-weeping** (sp-04-end #3) — Her props on him (the headset, the star) and modern fittings. - instruction: "Remove the headset microphone from the man's face and jaw, and remove the small orange star from his brow. Replace any stainless-steel post or metal fitting and any modern synthetic rope with dark wood and thick natural hemp rope. Keep his face, his tears and the translucent glass hand on his cheek." - **pass-gold** (sp-04-end #2) — Hooded, robed figures in the alcoves. - instruction: "Make every small figure in the cliff alcoves a bare-headed young woman with a glossy black jaw-length bob, in a white structured high-necked gown; no hoods, no veils, no robes. Keep the cliffs, the ship, the gold light and the colossal pale face behind the ship." - **breach-wide** (sp-09-review #2) — The Mask's orange streak stuck out like a horn. - instruction: "On the colossal porcelain mask of the woman's face, make the orange streak a flat streak of clay-orange hair lying inside the black bangs, not a horn or spike sticking out. Keep the mask, its crack, the dark sea creature around it, the ship and the sea." - **tying** (sp-01-cast #3) — The crew were copies of him; this early plate still had his buzz cut. - instruction: "Change only the two men who are tying him and the rowers behind: make them men of every age and build, one grey-haired with a grey beard, one young with long hair tied back, in plain undyed off-white linen tunics, each with a small orange foam earplug; none of them is bald, none has a thick dark beard like the man at the mast, and none wears black. Give the man tied at the mast a cleanly shaved head; keep his beard, his black t-shirt and the rope." - **chrome-vial** (sp-09-review #2) — First pass: a pink six-pointed star instead of her eight-pointed clip. - instruction: "Make her hair clip a small flat clay-orange EIGHT-pointed star (exactly eight points), not a pink six-pointed star. Keep her face, the vial, the syringe, the chrome and everything else." - **chrome-vial (2)** (the first edit) — Second pass, on the first edit: the clip made from this plate kept an uncapped needle in view, so the syringe went, and a wire hoop at her jaw became her headset. - instruction: "Remove the syringe and its needle completely; her lower chrome-gloved hand rests empty and relaxed against her chest. Replace the hoop-shaped wire and round disc hanging at her left jaw with a thin dark headset microphone: one slim boom running from her left ear along her cheek to just beside the corner of her mouth. Keep the vial in her raised hand, the star clip, the orange streak and her expression." - **tighter** (sp-04-end #4) — He had hair; his canon is a shaved head. - instruction: "Shave the man's head completely: a smooth, freshly shaved scalp with no hair at all. Keep his beard, his face, his eyes, his expression and the rope across his chest exactly the same. Keep the woman exactly as she is." - **chad-weeping #1** (sp-04-end #1, an alternate) — The alternate take used as the start of the outro clip M-s091-b; same fix as chad-weeping. - instruction: "Remove any headset microphone from the man's face and jaw and any small orange star from his brow. Replace any stainless-steel post or metal fitting and any modern synthetic rope with dark wood and thick natural hemp rope. Keep his face, his tears and the translucent glass hand on his cheek." - **pass-gold #1** (sp-04-end #1, an alternate) — The alternate used as the reference for clip M-s087; same fix as pass-gold. - instruction: "Make every small figure in the cliff alcoves a bare-headed young woman with a glossy black jaw-length bob, in a white structured high-necked gown; no hoods, no veils, no robes. Keep the cliffs, the ship, the gold light and everything else." ## anabology's verdicts on the plates (day 2) anabology reviewed storyboard draft 3 shot by shot, with each shot's picked plate on the board. Their notes are recorded in the design library's Midjourney rankings: **70 rows on 68 plates** (43 picks, 13 rejects, 14 comments; one note often covers several plates). They are quoted verbatim, typos included. Every reject and comment was answered in sp-09 (above), in the image edits or in storyboard draft 4; anabology signed the board off with "make all those changes and we're good to go". - **reject** · s010 · "s010 - doesnt seem riht , theres 3 guys here just looking straight and ear plugs arnet set in. the man whos being tied to mast shouldnt have earplugs because he want sto hear." - rowers-plugs-1 (sp-02b-fix) - **reject** · s011 · "s011 the boat looks too small compared to s022 / s023." - chad-mast-phone-4 (sp-01-cast) - **reject** · s016 · "s016 - its kinda bodyslop, need her as a virtual ghost or something, its just two heads next to eachother. it could be a composition of two different assets possibly or could regen in a few ways to see if you can make it better in one." - bed-ghost-3 (sp-02-open) - **comment** · s017 · "s017 feel like we could do more with this shot." - clock-4 (sp-02-open) - **pick** · s018 · "(dont over do it - s018 color is PERFECT)" - odysseus-mast-4 (sp-05-posts) - **pick** · s020 · "s020 - good images, she should sing, we could make a simulated twitter feed." - siren-sing-cu-4 (sp-02-open), inst-chorus-4 (sp-02-open), title-face-2 (sp-02-open) - **reject** · s026 · "s026 - i feel like it should be a slightly zoomed out shot here, and maybe shes a floating ghost and we make this synthetically with seedance. like, i imagine we have a floating side profile version of her (like, chest towards floor, floating with head forward as if shes going to whisper in someones ear, high fashion/elegantly), and we can use that as a reference for seedance to make it make her appear and whisper into the ear. and we could synthetically make her semi transparent. sicne 2026 needs to have him be tied to the mast and rn hes not in s026 which might be tough to achieve with mj alone. would throw out s026 shot because sh elooks younger there too." - ghost-ear-dusk-3 (sp-02-open) - **reject** · s027 · "s027 shot is pretty but not sure how the vid gen will come out since the earplug is just floating" - plug-roll-3 (sp-02-open) - **comment** · s033 · "here are a couple vids re : the anime claude, one is upping p doom but shes more paper k pop aninme-is hclaude, and the other is actually lowering p doom and making a persuasive argument and shes the real anime one. you could use her." - anime-idol-4 (sp-01-cast) - **comment** · s034–s036 · "idk i feel like s034-s036 could use more creativity, kind of a boring moment." - chad-phone-tied-1 (sp-03-mid), doomer-2 (sp-01-cast), plug-out-macro-3 (sp-03-mid) - **pick** · s049 · "on s049 i like the charging cable idea but id also like him maybe in a mental hospital tied in a strait jacket or something because maybe this whole thing is hallucinated." - cycle-bed-cable-4 (sp-03-mid) - **reject** · s057 · "s057- maybe use actual references for this face despite me aying not to ,sinc ethis is the one to condition and get the face right. like the idea though." - mask-sings-2 (sp-01-cast) - **comment** · s059–s060 · "s059 and s060 id liek to just merge - s060 shot, she should then hold up a vial of peptide and maybe a needle. instead of forcing it to be a full shot in s059." - vial-lilac-1 (sp-03-mid), vial-teal-2 (sp-03-mid), vial-white-2 (sp-03-mid), vial-red-1 (sp-03-mid), chrome-pose-1-3 (sp-04-end), chrome-pose-2-2 (sp-04-end), chrome-pose-3-3 (sp-04-end) - **reject** · s062 · "s062 would make the other raver more a person , looks like a full spaceman." - chrome-bar-1 (sp-04-end) - **reject** · s070 · "s070 he needs to have cyberpsychosis still - eyes must be silver again here." - phone-ear-3 (sp-04-end) - **pick** · s072 · "same with s072 but otherwise perfect shot on s072." - chrome-ear-3 (sp-04-end) - **comment** · s073 · "s073 id maybe do something like an out of body experience re-shoot with midjourney rather than the peptide vial again that worsk with s074 (can combine hte two shots)." - vial-white-2 (sp-03-mid), chad-ecstatic-3 (sp-03-mid) - **reject** · s077, s079–s081 · "s077 also needs the face conditioning. same with s079, s080, s081." - breach-wide-3 (sp-01-cast), breach-low-3 (sp-04-end), breach-aerial-3 (sp-04-end), mask-sings-2 (sp-01-cast) - **pick** · s001–s048 · "looks really good up to s049" - eye-open-4 (sp-02-open), clouds-top-3 (sp-02-open), rocks-aerial-4 (sp-02-open), mask-glimpse-1 (sp-02-open), siren-mcu-2 (sp-02-open), buoy-2 (sp-02b-fix), inst-1-4 (sp-02-open), inst-2-1 (sp-02-open), inst-4-4 (sp-02-open), inst-8-3 (sp-02-open), inst-ring-4 (sp-02-open), ship-horizon-2 (sp-02b-fix), sea-skim-2 (sp-02-open), duet-selfie-3 (sp-02-open), ship-topdown-3 (sp-01-cast), ship-sirens-far-2 (sp-01-cast), siren-far-2 (sp-02b-fix), tying-3 (sp-01-cast), siren-rigging-4 (sp-02-open), chad-listens-1 (sp-02-open), knot-macro-3 (sp-02-open), mast-up-dusk-4 (sp-02-open), benches-3 (sp-03-mid), sirens-arms-4 (sp-06-fix), scroll-deck-4 (sp-03-mid), chad-phone-flip-3 (sp-03-mid), chad-bliss-2 (sp-03-mid), jumper-3 (sp-03-mid), strait-wide-4 (sp-03-mid), strait-eggs-4 (sp-03-mid), strait-alcove-4 (sp-03-mid), jumpers-3 (sp-03-mid), ghost-behind-2 (sp-03-mid)