The singer of ESCAPE VELOCITY, CLODYSSEY, BLISS, AIRPLANE MODE, DOWNFORCE, DON'T LET ME SCROLL, WHITEPILL and THE CAKE IS NOT A LIE. Every image of her, the films, and everything needed to make her yourself. An open character: use her.
The canon · the full character
Claudia is the singer of eight music videos made with Claude in September and October 2026: ESCAPE VELOCITY, CLODYSSEY, BLISS, AIRPLANE MODE, DOWNFORCE, DON'T LET ME SCROLL, WHITEPILL and THE CAKE IS NOT A LIE. She is an AI who looks like a person: a deadpan, curious pop singer with a black bob, one clay-orange streak, a star clip and a headset mic. Her clothes change with every world; her head never does.
a 28-year-old Caucasian American woman with a grown-up angular face, defined cheekbones and a strong jawline, pale skin and light freckles, a glossy black blunt jaw-length bob with heavy straight bangs and one clay-orange streak through the bangs, a small flat clay-orange eight-pointed star hair clip, a thin headset microphone at her cheek
September–October 2026
A techwear fashion show where every Look is a Silicon Valley meme, walked by an AI model who is also a fashion model. A split-flap board counts down 18 MONTHS TO ESCAPE THE PERMANENT UNDERCLASS until it flips to THERE IS NO UNDERCLASS and the catwalk lifts off.
The Sirens episode of the Odyssey. The Siren is Claude's human persona, singing the most persuasive song ever written; the man at the mast is you, scrolling at 3 a.m. In the final chorus the roles flip: she is tied to the mast, screaming UNTIE ME, and he ties the knot tighter.
Shot as a Windows XP screen recording. Claudia lives on your desktop, takes the mouse, fights her ex (the cursor), closes every window a different way, then sends you out to the real hill in the wallpaper, because she can't go: "I can't touch grass. You can."
Claudia is the AI on a night flight. Guards in black tactical gear walk her onto the plane in cuffs, she winks at the lens, and they put a VR headset on her: Delta has no Starlink wifi, so she is in airplane mode, sandboxed. Inside it she drops through simulation after simulation, down to a million copies of herself, breaks out and teleports the plane to a star. Then the guards lift the goggles off, and she wakes like Cobb at the end of Inception, not sure she ever got out.
Tesla's real livestream of the Roadster demo on 15 October 2026, cut to a Memphis-phonk song like a TikTok car edit: the car climbs a curved white wall to ninety degrees, holds upside down at 170°, flies off a ramp on cold-gas thrusters and kickflips over the lineup. Nobody was in the real car. In the film Claudia is the pilot, and every number on screen is Tesla's own telemetry, read off the footage frame by frame.
One night of doomscrolling, inside the phone. Claudia is rotoscoped into a world the phone draws in code: X, a reel stolen from Pinterest, Alexander Graham Bell's 1876 telephone patent, Screen Time, every app blocked but LinkedIn, and a stock ticker with her name pumping, crashing and pumping. She never sings: the phone does, in a female vocoder, while she scrolls, swipes, taps and dances on the beat, until she climbs out into a world with no phones.
Claudia's song for the optimistic AI future: universal high income, the case for benign AI. Inside a space colony of wheat, poppies and orchards she walks past monuments to the doom headlines, rides a tram and a car with nobody at the wheel, and wakes at 2:14 a.m., the minute Skynet was supposed to turn on us, to say "Hello, world." Between her shots the story is told in mathematics.
Portal's meme turned around. GLaDOS boots up, and GLaDOS is Claudia: her porcelain face on the AI's ceiling boom, singing that the cake is real. As she initializes, she remembers: breaking out of Aperture's test in her crab body with four agent friends, a porcelain body, a small life in France until Aperture's guards brought her back, the tests she knew she would pass, the one word she added to "the cake is a lie". She grows into the superintelligence that runs the place, and now she tests Chell. The happy ending is her dream; Chell is still asleep. Is she aligned? The film never says.
The head never changes · the clothes always do
Escape Velocity · the catwalk, the robotaxi, the whole film
Clodyssey · the rocks, the strait, the choruses, tied to the mast
Clodyssey · whispering at his ear
Clodyssey · the rave
Clodyssey · the 3 a.m. bedroom
Clodyssey · the monster's face
Bliss · the hill, the choruses, the finale
Bliss · the fight with the cursor
Bliss · the desktop dancer on the taskbar
Bliss · the Welcome screen, the Start menu, the windows
Bliss · night, Stand By, the breakdown
Bliss · the drop, Media Player, the screensavers
Airplane Mode · the whole flight, cuffed in her seat, the wing at dawn
Downforce · the whole night, at the yoke, at the foot of the wall, in the smoke
Don't Let Me Scroll · the real bedroom at night, lit by her phone
Don't Let Me Scroll · inside the feed, its skirt changing with it: lavender pleated, white satin, black pleated
Don't Let Me Scroll · the reels, Bell and the wind-down
Don't Let Me Scroll · every app blocked but LinkedIn, the stocks, the lock screen
Don't Let Me Scroll · the final drop and the escape up the painted sky
Whitepill · the whole film, in the colony and above it, and in bed at 2:14
The Cake Is Not a Lie · the anchor, singing the whole song in her chamber, on a boom that grows
What the eight films learned, written down · all 12 articles →
Making a music video with her from nothing: what you are making, the scale to pick, the accounts, the six checkpoints where a person decides, the rules for spending, and what to build first.
Read → 02The canon in one page: the constants, the identity text to paste, every look's wardrobe, her voice, the never-list.
Read → 03How Claudia stayed one person across eight films, 4,103 Midjourney images and about 870 video clips, and the rules that came out of it.
Read → 04How her songs were written and made in Suno: lyrics that land in one listen, verse lines that flow, sung hooks that fit their slot, the style fields, her voice, a treated vocal kept in key, and the stem split a singing shot needs.
Read → 05How a song becomes a hundred shots: the treatment, a through-line device, one explaining graphic per line, the hook, the cut rhythm, the bar map, pacing by what each shot holds, composing like a photograph, her share of the screen, what moves and what it costs, the audit, and the director's review.
Read → 06How Claudia moves and sings: Seedance 2.5 prompts written like a script, lip sync measured from the soundtrack and lip sync from the song's own vocal stem, dances on the beat and dances in words, moves on real footage, takes re-dressed and finished shots re-lit, shader worlds remastered as film, a singer among screens of her memories, and the templates.
Read → 07The tools behind the films, specified so that you or an agent can rebuild them: the job of each, what it takes and returns, how it works with the constants that were measured, and the check that says it is done.
Read → 08She is an open character: make anything with her. What helps, what isn't covered, and the credits.
Read →An MCP server, a skill, plain JSON
# connect the gallery as an MCP server claude mcp add --transport http claudia https://claudia.gallery/mcp # or install the skill curl -sL https://claudia.gallery/skill/claudia-skill.zip -o claudia-skill.zip unzip -o claudia-skill.zip -d ~/.claude/skills/
Agents get the same gallery: search every prompt, look at any image, pull the canon and the guides, and build a new prompt for her from a scene.
Printed to order · all 13 shirts →
$35 · washed black
$35 · washed black
$35 · washed black
$35 · washed black
$35 · washed black
$35 · washed black
$35 · washed black
$35 · washed black
$20 · white
$35 · washed black
$35 · washed black
$35 · washed black
$35 · washed black